Hong Kong

Trading stadium glamour for gritty social realism, Mirror’s Anson Kong and ANSONBEAN make their mark in Herman Yau’s boldest indie yet.
Film & TV
Ludi Lin discusses Asian representation, Hollywood stereotypes, and why authenticity still matters, ahead of Mortal Kombat II and beyond
Eddie Huang premiered his Vice expose at the opening night of the Toronto Film Festival on Thursday.
Hong Kong
The family of Hong Kong Cantopop icon Anita Mui says an urn containing her ashes was taken from a Lantau
Joshua Tan discusses conducting Wong Kar Wai’s In the Mood for Love live in Singapore, from its emotional score to
Hong Kong socialite Abby Choi’s murder trial opens as prosecutors allege a family plot linked to a dispute over a
Renowned editor Mary Stephen opens the Hong Kong Film Festival UK with Palimpsest: The Story of a Name—a decades-in-the-making documentary
As HKFFUK returns for its fourth edition, Programme Director Ching Wong discusses building ESEA solidarity, confronting anti-migrant sentiment, and proving
Following festival runs in Hong Kong and New York, Herman Yau’s We’re Nothing at All opens at Laemmle Monica Film
There is no socio-political critique or nothing deep. It is a genuine amusement, wonderfully executed with carefully constructed screenplay and
Hong Kong filmmakers are facing tighter censorship, shrinking output and growing pressure from mainland China, but some say the city’s
Three decades after the tragic passing of Wong Ka Kui, his voice still carries the weight of an entire generation's
"If there must be a deadline on this love, I hope it will be ten thousand years."
Stephen Chow’s Kung Fu Soccer scores big in China but sparks backlash in South Korea over a caricatured Korean women’s
A New Generation of Filmmaking Is Coming Out of Hong Kong. But Can We Watch It?
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She had visited 46 countries without incident. But on a routine bus ride from Kotor to Perast, content creator 'The
Authors Amy Chu and Alexander Chang join illustrator Louie Chin to bring overlooked twentieth-century milestones into school classrooms.
BTS becomes the first group to surpass 10 billion annual Spotify streams, driven by its hit album “Arirang” and ongoing
Trading stadium glamour for gritty social realism, Mirror’s Anson Kong and ANSONBEAN make their mark in Herman Yau’s boldest indie
Cambodia’s remake of Korean drama Wedding Dress brings the beloved mother-daughter tearjerker to Phnom Penh, leading Abnormal Studios’ slate at
Bernie Cho, CEO of DFSB Kollective, explains how bilingual metadata and smarter genre tagging helped K pop become discoverable and
The high-flying Shaolin Soccer follow-up dominated the summer box office in China and now heads to cinemas across North America
Highdee Kuan says playing Woody Harrelson’s daughter in Apple TV+’s Brothers was “healing” in a “very fun and safe way.”
Attack on Titan: The Musical launches its world tour in Singapore, running at Sands Theatre from April 15 to May