Picturehouse Entertainment Secures Hirokazu Koreeda Sci-Fi Drama Sheep In The Box For UK Release

The Palme d’Or winner returns to the festival circuit with a near-future study of grief starring Haruka Ayase.
Facebook
X
LinkedIn
Threads

Picturehouse Entertainment has acquired the distribution rights for Sheep In The Box, the latest feature film from the celebrated Japanese director Hirokazu Koreeda. The deal covers theatrical distribution across the UK and Ireland. The announcement comes directly after the film’s high-profile debut in the main competition at the Cannes Film Festival.

The acquisition sees Picturehouse partnering once again with international sales agents Goodfellas and the US distributor Neon. Neon has locked in its American theatrical launch for 24 July 2026, starting in New York and Los Angeles before rolling out nationwide.

A Technological Substitute for Grief

Koreeda won the prestigious Palme d’Or in 2018 for Shoplifters and previously found box-office success with Broker and Monster. His new project marks a distinct shift into speculative fiction, blending his characteristic focus on complicated domestic dynamics with near-future science fiction.

Read more: ‘The Last House’: Trailer for Greta Lee and Wagner Moura’s Sci-Fi Thriller Drops

The story takes place in a world where technology intersects directly with human mourning. Two years after the death of their young son, Kakeru, a grieving couple decides to utilise a specialised commercial service that rents advanced humanoid robots to bereaved families as replacements for deceased loved ones.

The film stars Haruka Ayase and Daigo as the parents, alongside newcomer Rimu Kuwaki as the humanoid child. While the mother immediately embraces the artificial clone, the father struggles to accept the machine. The presence of the robot gradually forces both parents to confront the unspoken wounds and deep regrets they carried after their initial loss.

A Return to Dreamlike Cinema

Film critics at Cannes noted that the movie represents a more dreamlike, surreal direction for the director. Commentators drew immediate thematic comparisons to Koreeda’s early 1998 classic After Life, which also used speculative premises to explore human memory and emotional catharsis.

Read more: Shanghai Film Fest Head Anthony Chen Celebrates the City’s “East-meets-West Legacy,” Discusses Asian New Talent Jury

Sara Frain, the managing director of Picturehouse Entertainment, expressed excitement about continuing their relationship with the filmmaker. Frain stated that the distributor takes great pride in bringing the title to British and Irish audiences, identifying the feature as one of the clear artistic standouts of the summer festival circuit.

The film is a joint production involving major Japanese media entities, including the Fuji Television Network, Gaga Corporation, Toho, and AOI Pro. Picturehouse will finalise the official UK cinema release dates later this year.

Author
Facebook
X
LinkedIn
Threads

Stay Connected

Latest news

More From Resonate
‘It is diabolical’ say Hyrox competitors as Joanna Wietrzyk Beijing win exposes stark double standards
The Oscar winner shares a surprisingly chilly red carpet encounter from his triumphant awards season in his new memoir Never
Donald Trump called Nvidia CEO Jensen Huang live onstage at the All-In Summit and dismissed concerns over AI dangers as
Thai brands like INGU, Srichand, and Mistine are finally taking on K-Beauty and J-Beauty on their own turf. The real
The global pop star addresses leaked decade-old rehearsal footage during the premiere of her documentary at the Toronto International Film
Tributes pour in from across the Japanese screen industry after the beloved actor passes away from rectal cancer surrounded by
Growing up in an Asian household often meant adult issues were swept under the rug. Ang Geck Geck Priscilla’s award-winning
Hiro Murai makes Emmys history as the first Asian director to win Outstanding Comedy Directing for Apple TV’s Widow’s Bay.