Constance Wu, currently starring in the feel-good dramedy The Friend alongside Naomi Watts and Bill Murray, has used her return to the big screen to raise concerns about the direction of diversity in Hollywood. The film, released in cinemas on March 28th, provides a backdrop for Wu’s reflections on the industry’s progress and potential backsliding.
Wu, who achieved mainstream recognition with roles in “Crazy Rich Asians” and the television series Fresh Off the Boat, stated to NBC News that she is worried about “potentially repressive and backward” steps in Hollywood, coinciding with a wider national rollback of diversity, equity, and inclusion (DEI) initiatives.
Wu’s concerns center on a perceived shift in priorities, where she believes “representation is a little less important when it comes to casting.” While acknowledging the potential benefits of focusing on story and character development, she cautions against the risk of “reverting to limited imaginations of what story and characters could be.”
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A key point of contention for Wu lies in the justification of “authenticity” often used to limit diversity in casting. “What does authenticity mean? It means the truth, and if you’re really an artist then you can find the truth in any circumstance, any character, any face or any article of clothing,” she argued. “How much do you want to challenge yourself? Sometimes people don’t like to be challenged,” she added, questioning the motivation behind such limitations.
Wu’s anxieties are supported by data. The latest annual UCLA Hollywood Diversity Report indicates a concerning trend, revealing that the white share of film roles increased from nearly 60% in 2023 to 67% the following year. Meanwhile, other racial and ethnic groups remain underrepresented, with Asians comprising only 5.5% and Latinos 3.6% of film roles. This disparity extends to other areas of the industry, with people of colour significantly underrepresented among theatrical film writers and directors.
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The success of Crazy Rich Asians in 2018, which grossed $239 million worldwide, was seen as a watershed moment for Asian representation in Hollywood. Wu acknowledges the potential of DEI initiatives, stating, “At its best, [these initiatives] are about expanding imagination, creativity and possibility.”
However, she also cautions against a superficial application, adding, “If you are stodgy and stuck in your ways, as a director, you’re limiting yourself. If you think it’s just about trying to check off a box, that’s not what it’s supposed to be and not what it should be,” emphasizing the importance of genuine artistic exploration.