Hayao Miyazaki Wins Second Oscar With ‘The Boy and the Heron’

The Boy and the Heron is Studio Ghibli creator Hayao Miyazaki's second Oscar after Spirited Away in 2003
Facebook
X
LinkedIn
Threads

Hayao Miyazaki has won his second Oscar for his Japanese animated feature film, The Boy and the Heron.

“Both Hayao Miyazaki and I have aged a considerable amount. I am grateful to receive such an honor at my age, and taking this as a message to continue our work, I will devote myself to work harder in the future,” film producer Toshio Suzuki said in an interview.

The Japanese anime film, which won “Best Animated Feature Film,” also won a Golden Globe and a BAFTA earlier this year. Miyazaki previously won an Oscar for the Studio Ghibli classic Spirited Away in 2003.

Read more: Studio Ghibli Fans Criticize AI-Generated ‘Spirited Away’ Live-Action

The Boy and the Heron follows Mahito Maki, a 12-year-old who tragically loses his mother in a Tokyo hospital fire during World War Two. His life takes a new turn when his father, who runs a warplane factory, remarries his late wife’s sister, and they move to her rural estate.

There, Mahito encounters a mystical grey heron that guides him to a hidden tower. Inside, he discovers a variety of magical beings who help him navigate the pain of loss in different ways.

&ab_channel=AssociatedPress

 

“Director Miyazaki is the pride of Japan,” said Hiroko Furuta, a Japanese-language teacher in Tokyo.

“Many people were nominated and I think it’s great news that his movie won the award. There hasn’t been much positive news in Japan lately, so I think it’s great.”

Miyazaki, 83, came out of retirement to make The Boy and the Heron as Studio Ghibli was sold to Nippon TV in 2023.

Author
Facebook
X
LinkedIn
Threads

Stay Connected

Latest news

More From Resonate
Li Jun Li shines on Prime Video’s Spider-Noir soundtrack with ‘Dream a Little Dream of Me’ and ‘The Devil You
Cult Japanese horror maestro Yoshihiro Nishimura, director of Tokyo Gore Police and Helldriver, dies at 59 after a battle with
The South Korean group claimed the top prize on a night where trailing nominations left Western pop icons empty-handed.
Broadcasters face criticism over an abrupt camera switch that blocked viewers from seeing the winger celebrate the club's dramatic Premier
In an exclusive interview, the prolific director discusses his self-financed social drama, We’re Nothing at All, and explains why modern
Journalist Selina Wang was recording a video on the North Lawn when a suspect opened fire near a security booth,
Mainstream critics early on dismissed his work as cheap, lowbrow entertainment. Today, film scholars and global audiences celebrate him alongside
A U.K.-Nigerian‑Hong Kong romantic comedy titled My Nigerian Fiancé has been unveiled, marking a cross‑continental collaboration between A13 Films founder