After a 17-year hiatus, the Bangkok International Film Festival (BKKIFF) is set to return—this time with ambitions of re-establishing the Thai capital as a heavyweight on Southeast Asia’s cinematic map.
Running from 27 September to 15 October 2025, the 19-day showcase will host its Opening Ceremony on 29 September at Pinnacle Hall, ICONSIAM. For Gen Y and Gen Z, BKKIFF may sound like a new arrival, but the festival has been around for over two decades—only this time it’s coming back with a sharper vision and a clean slate.
Backed by the Department of Cultural Promotion (DCP) and the Thailand Creative Culture Agency (THACCA), a newly assembled team is driving the relaunch under the theme “Power in Collaboration.” The message is clear: government, private sector, artists, and audiences working together to amplify Thai cinema.
The festival will open with the world premiere of Tee Yod 3 (Ghost Whisperer 3), the latest chapter in the country’s hit thriller franchise.
“The film industry is one of the core elements of Thailand’s soft power that powerfully conveys our way of life, culture, and creativity to the global audience,” said Dr Surapong Suebwonglee, chairman of the National Soft Power Development Committee and the BKKIFF Organizing Committee.
Dr. Surapong sees film as more than art—he frames it as an engine that can push other industries forward: food, Muay Thai, gems and jewelry, fashion, and handicrafts.
Festival executive director Pimpaka Towira adds, “The timing is right as the Thai film industry looks promising.” She highlights a panorama program that will spotlight 10 significant Thai films alongside international selections.
And those selections are vast: more than 200 titles from 40+ countries are expected to screen, including features, shorts, docs, and animation. According to festival director Donsaron Kovitvanitcha, only films released within the past year will qualify, ensuring a fresh and relevant lineup.
Beyond screenings, BKKIFF 2025 aims to level up the craft with masterclasses, panels, film markets, and pitching opportunities for Thai and Asian creators. With a USD 25,000 prize pool on offer, filmmakers will be able to pitch directly to investors—both local and international.
“We won’t only bring international buyers and sellers but also look into investment opportunities because there are many elements. Certainly, we will benefit from finding out what they are looking for in Thai films,” said Pimpaka Towira.
The move comes at a time when Thai cinema is gaining global traction. The recent Cannes triumph of A Useful Ghost is proof of the creativity here, even if funding remains a recurring obstacle.
BKKIFF’s return is also about reclaiming ground lost. Its previous incarnation, once run by the Tourism Authority of Thailand, collapsed under scandal—leaving the region’s festival scene dominated by Busan, Hong Kong, and Singapore.
Read more: ‘A Useful Ghost’ Wins Top Prize at Cannes Critics’ Week
This revival, however, is already generating buzz. Within just three days of its open-call announcement, over 100 short films were submitted.
Competitive sections will crown winners with the Phra Surasawadee awards, and screenings will roll out across Bangkok’s leading cinemas: Major Cineplex, SF Cinema, House Samyan, and Lido Connect.
